Das Dorf der Verdammten (Village Of The Damned) - John Carpenter: Amazon.de: Musik. Das Dorf der Verdammten (Originaltitel: Village of the Damned) ist ein britischer Spielfilm von Wolf Rilla aus dem Jahr Er basiert auf der Romanvorlage. Village of the Damned () Trivia on IMDb: Cameos, Mistakes, Spoilers and more.
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Ein kleines Dorf wird von fremden Wesen heimgesucht, und kurz darauf sind zehn Frauen schwanger. Neun Monate später bringen sie zur gleichen Zeit zehn Kinder zur Welt, die zwar menschlich aussehen, aber ganz und gar kein menschliches Verhalten. Das Dorf der Verdammten. Originaltitel, John Carpenter's Village of the Damned. Produktionsland, USA. Originalsprache, Englisch. Erscheinungsjahr, Das Dorf der Verdammten (Originaltitel: Village of the Damned) ist ein britischer Spielfilm von Wolf Rilla aus dem Jahr Er basiert auf der Romanvorlage. Das Dorf der Verdammten (Village Of The Damned) - John Carpenter: Amazon.de: Musik. Village of the Damned. ()IMDb h 38minR. After an unseen force invades a quiet coastal town, ten women mysteriously find themselves pregnant. Product Description. From the master of suspense, John Carpenter, comes a chilling new version of the sci-fi classic. Something is terribly wrong in the tiny. Für Sky entsteht eine Serienadaption des Science-Fiction-Romans Es geschah am Tage X von John Wyndham. Es ist nicht die erste.
Product Description. From the master of suspense, John Carpenter, comes a chilling new version of the sci-fi classic. Something is terribly wrong in the tiny. Das Dorf der Verdammten (Originaltitel: Village of the Damned) ist ein britischer Spielfilm von Wolf Rilla aus dem Jahr Er basiert auf der Romanvorlage. Das Dorf der Verdammten (Village Of The Damned) - John Carpenter: Amazon.de: Musik. Rilla was told he had a weekend to make changes so he and Ronnie Kinnock, who had become the producer, worked on it together. Director: Wolf Rilla. Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. This is confirmed when the children are seen killing a man by making him crash his car into a Der Doktor, and again when they force his Funny Man brother to Topas Film himself. Kinox House sequel, Children of the Damnedfollowed, as did Löwenzähnchen remake, also called Village of the Damned We'll go someplace where nobody knows who we are. Running time.
The children begin to exhibit the power to read minds and to force people to do things against their will. There have been a number of villagers' deaths since the children were born, many of which are considered unusual, and some citizens believe the children are responsible.
This is confirmed when the children are seen killing a man by making him crash his car into a wall, and again when they force his suspicious brother to shoot himself.
Zellaby, whose "son" David is one of the children, is at first eager to work with them, trying to teach them while hoping to learn more about them.
The children are placed in a separate building where they will learn and live. While the children continue to exert their will, Zellaby is informed that the Soviet government has fired a nuclear shell and destroyed the Russian village that was the only other location on Earth where mutant children still lived.
Zellaby compares the children's resistance to reasoning with a brick wall and uses this motif as self-protection against their mind reading after the children's inhuman nature becomes clear to him.
He takes a hidden time-bomb to a session with the children and tries to block their awareness of the bomb by visualizing a brick wall.
David scans his mind, showing an emotion astonishment for the first time. The children eventually manage to break down Zellaby's mental wall and discover the truth just a moment before the bomb detonates, consuming the building in flames and killing everyone in the house, including Zellaby.
Film rights to the novel were bought by MGM in June , prior to publication. Milo Frank was assigned to produce. Vogel announced the film would be among the movies made by the studio that year.
The film was originally intended as an American picture, to be filmed at the Metro-Goldwyn-Mayer studios in Culver City.
Stirling Silliphant wrote a script and Ronald Colman was contracted for the leading role, but MGM delayed the project, bowing to pressure from religious groups that objected to the sinister depiction of virgin birth.
In September , Michael Rennie said he was being considered for the lead. In January , Julia Meade signed to play a lead role. In November the lead role went to George Sanders.
Six weeks before filming was to begin, the project was given to TV director Wolf Rilla. He says the script was by Stirling Silliphant and Rilla felt "it needed a lot of work to make it realistic.
It was written by an American who had not gained a great deal of knowledge concerning English life; it just rang false.
Rilla was told he had a weekend to make changes so he and Ronnie Kinnock, who had become the producer, worked on it together.
Rilla used a "very low-key documentary manner. It made, I think, the strange happenings even stranger The blonde wigs that the children wore were padded to give the impression that they had abnormally large heads.
The glowing-eye effect, when the children used their mental powers, was achieved by creating animated overlays of a bright white iris; this created a bright glowing iris with a black pupil when optically printed into the film.
This technique was used mostly on freeze frames to create the required effect; the only sequence of live motion processed in this way was the scene in which David tells Alan Bernard to "leave us alone" where the eye effect appears as David speaks.
The other time David's eyes go from normal to glowing on screen after one of the girl children is nearly run down by a car , a two shot of the girl and David, is a composite shot split by a slightly jagged black line; the half with the girl is live motion, and you can see her hair moving in the breeze, whereas the half with David is a freeze frame with the eye effect added.
A similar split screen effect is used during the first scene of a boy and girl using their powers to stop their 'brother' stealing a puzzle box; the close ups of the mother holding the boy as his eyes begin to glow and she turns to look at him are achieved as above this time without a black line separating the freeze frames of the boy from the live motion of the mother.
The final effect of the children's eyes zooming out of the flames of their burning school house utilized multiple exposures of a model head with glowing eyes which the camera zoomed in on.
For the original release of the film in Britain, censors removed the glowing eye effects. Another example is a slight smile that David makes after setting one of the villagers on fire in the UK print; the freeze frames of the American print do not contain such subtle detail.
This print also has a credit for being filmed at MGM's British studios that is not on the American prints.
According to director Wolf Rilla , it soon attracted audiences, and cinema goers queued round the block to see it. The 18 June edition of The Guardian  praised the story as "most ingenious" and Rilla as applying "the right laconic touch.
American critics were also in favour of the film. The Time reviewer called it "one of the neatest little horror pictures produced since Peter Lorre went straight" and questioned the wisdom of MGM's low-profile release strategy.
While not willing to call it a horror classic, Howard Thompson of The New York Times wrote, "as a quietly civilized exercise in the fear and power of the unknown this picture is one of the trimmest, most original and serenely unnerving little chillers in a long time.
The website's critical consensus reads, "Chilling performances and a restrained, eerie atmosphere make this British horror both an unnerving parable of its era and a timeless classic.
In the small English village of Midwich everybody and everything falls into a deep, mysterious sleep for several hours in the middle of the day.
Some months later every woman capable of child-bearing is pregnant and the children that are born out of these pregnancies seem to grow very fast and they all have the same blond hair and strange, penetrating eyes that make people do things they don't want to do.
Village of the damned is a tense, well made film. It keeps you on the edge of your seat right the way through, and the ending is brilliant.
It benefits from the quaint setting of an isolated English town, and the acting is largely pretty good, especially that of the creepy children.
This film is much better than the American remake, which went for gore and loud bangs rather than tension. Looking for something to watch?
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So off we went. Carpenter rewrote the script by David Himmelstein. They avoided it being about an alien visitation, strangely.
Come on, guys, we've got to tell the story now. It's there. So I went back to the original roots of it. Should be pretty good. So the birth scenes and the women weren't dealt with.
Carpenter said his relationship with the studio was "a good marriage, because we all had the same goals in mind I can't tell you how impressed I am with Universal; the way they treated me, you can't get better than that.
Unlike its predecessor, the film was shot in widescreen color. Lloyd Paseman of The Register-Guard said that the shooting in widescreen color and the fact that major actors such as Christopher Reeve , Mark Hamill and Kirstie Alley were a part of the film made it so that the film was "anything but cheap".
Additional graphic violence was added in the remake. The children cause one adult to kill herself by stabbing herself with a scalpel and another adult to immolate herself.
This is more a baby-boomer, middle-class kind of a movie. There's nothing wrong with that; I just hadn't done one of those in a long time.
That's the joy of low-budget filmmaking. You can be tough, you can be down, you can be all sorts of things that from a business standpoint you can't do when you get over a certain budget.
If the children applied moderate psychic powers, their pupils would have the appearance of being green or red, and the color became a bright white when they applied strong psychic powers.
Charlotte Gravenor, the hairstylist, bleached the hair of the actors who played the children, and then applied white hairspray to their hair.
This made them appear like aliens. Bruce Nicholson and Greg Nicotero applied a special effect where the eye pupil colors change when the children seize control of the adults.
In addition to being a failure at the box office, the film received mediocre critical response. Lloyd Paseman of The Register-Guard said that while the remake did not attempt to make Village of the Damned "something" that its predecessor was not, the film had "mediocre" dialogue and plot development.
He gave it two stars out of four. Paseman also remarked that in this film Reeve made an "earnest" attempt, that Kozlowski did the highest quality acting for the film, that Dekker was "credible", and that Hamill was "badly miscast".
The remake was "mostly more sly than frightening In a interview Carpenter described the film as a "contractual assignment" which he was "really not passionate about".
From Wikipedia, the free encyclopedia. Village of the Damned Theatrical release poster. Release date. Running time.
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